Bisarjan R. N. Tagore

Suman Mukhopadhyay directed the Bengali play Bisarjan in 2012. Bisarjan by Rabindranath Tagore is the inspiration for the play (1890).

The author of Bisarjan:

Rabindranath Tagore:

Bengali polymath (7 May 1861 – 7 August 1941) was a poet, novelist, playwright, composer, philosopher, social reformer, and painter. With Contextual Modernism in the late 19th and early 20th centuries, he altered Bengali literature and music, as well as Indian art. He was the first non-European and the first lyricist to win the Nobel Prize in Literature in 1913, for his “profoundly sensitive, fresh, and lovely” poetry of Gitanjali. Tagore’s poetic songs were considered mystical and mercurial, yet his “beautiful prose and magical poetry” are largely unknown outside of Bengal. The Royal Asiatic Society elected him as a fellow. Tagore was dubbed “the Bard of Bengal” and went by the moniker Gurudev, Kobiguru, and Biswakobi.

Tagore, a Bengali Brahmin from Calcutta with gentry ancestors in Burdwan district[9] and Jessore, began writing poems at the age of eight. Under the nickname Bhnusiha (“Sun Lion ”), he published his first big poetry at the age of sixteen, which were hailed as long-lost classics by literary authorities. By 1877, he had graduated to short stories and dramas, which he published under his real name. He attacked the British Raj and demanded independence from Britain as a humanist, universalist, internationalist, and outspoken critic of nationalism. He established a huge cannon as a proponent of the Bengal Renaissance, which included paintings, sketches and doodles, hundreds of writings, and over two thousand songs; his legacy also includes the creation of Visva-Bharati University.

Tagore revolutionised Bengali art by rejecting rigid classical conventions and defying language constraints. His novels, short tales, songs, dance-dramas, and essays addressed political and personal issues. His best-known works include Gitanjali (Song Offerings), Gora (Fair-Faced), and Ghare-Baire (The Home and the World), and his poetry, short stories, and novels were praised—or panned—for their lyricism, colloquialism, naturalism, and unnatural introspection. His works have been adopted as national anthems by two countries: India’s “Jana Gana Mana” and Bangladesh’s “Amar Shonar Bangla.” His work influenced the Sri Lankan national anthem.

Work:

Tagore created novels, essays, short stories, travelogues, dramas, and thousands of songs in addition to his poetry. Tagore’s short stories are among the most well-known of his prose; he is credited with inventing the Bengali-language version of the genre. His music is known for its rhythmic, cheerful, and lyrical qualities. The lives of ordinary people are frequently used in such stories. Nonfiction by Tagore dealt with topics such as history, linguistics, and spirituality. He self-published memoirs. Several volumes of his travelogues, essays, and lectures were published, including Europe Jatrir Patro (Letters from Europe) and Manusher Dhormo (The Religion of Man).

“Note on the Nature of Reality,” his brief conversation with Einstein, is presented as an appendix to the latter. An anthology (named Kalanukromik Rabindra Rachanabali) of Tagore’s whole body of work is now being published in Bengali in chronological sequence in honour of his 150th birthday. This takes up around eighty volumes and includes all versions of each book. The Essential Tagore, edited by Fakrul Alam and Radha Chakravarthy and published by Harvard University Press in collaboration with Visva-Bharati University in 2011, is the largest anthology of Tagore’s works available in English. It commemorates Tagore’s 150th birthday.

Politics:

Tagore’s opinions on imperialism and sympathy for Indian nationalists were initially expressed in Manast, which he wrote primarily in his twenties. He was aware of the Ghadarites, according to evidence shown at the Hindu–German Conspiracy Trial and later stories, and he sought the support of Japanese Prime Minister Terauchi Masatake and former Premier Kuma Shigenobu. Nonetheless, he mocked the Swadeshi movement in The Cult of the Charkha, a scathing 1925 article. Tagore, according to Amartya Sen, revolted against aggressively nationalist elements of the independence movement, and he sought to proclaim India’s right to freedom while also acknowledging the relevance of what India could learn from other countries. He urged the people to reject victimology in favor of self-help and education, and he saw British administration as a “political manifestation of our social disease.” Even for the poorest of the poor, he believed, “there can be no thought of blind revolution”; instead, a “steady and intentional education” was preferred.

Bisarjan Bengali movie:

Bishorjan (translate. Immersion) is a Bengali film directed by Kaushik Ganguly and starring Abir Chatterjee and Bangladesh actress Jaya Ahsan, released in 2017. Opera Productions produced the film, which won Best Feature Film in Bengali at the 64th National Film Awards.

Bisarjan movie review:

1. Nice depiction of human relationships that have no name at times, yet come into our lives as a breather and enrich us! Mind and body requirements are clearly displayed! The story unfolds slowly, but you can’t expect a ‘..babu obhijaan’ pace in these films about delicate brains. Mr. Ganguly has once again demonstrated his broad but comfortable filmmaking range! Abir has grown up enough to be a fresh face for Bengali heroes in all genres of film. Ms. Ahsan’s portrayal of a weak lady is very realistic! Our inner spirit is touched by Kalika da’s latest masterpiece! Great film for life and relationship lovers! Not recommended for impatient viewers.

2. It is, indeed, a fantastic film. Joya Ashan put forth her best efforts, and she is completely immersed in it. Following my viewing of it, I became a fan of hers, and she has earned a place in my heart.

Without a doubt, the writing, as well as the music and direction, are excellent. It features the filmmaker as a major character. Both he and the central character have performed admirably, but the director’s acting is second to none.

Conclusion:

Padma marries Ganesh, and Bijoya Doshomi is the result. Her small son departs with Ganesh without her since she refuses to go to Ichamati to visit Bishorjon. Her son is discovered to be Naseers’s at the end of the film since they both have the same birthmark.