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Malik Ambar constructed the Naukhanda Palace in 1616. It was erected on the summit of a rising land in Aurangabad, India. According to one narrative, the Palace was first modified by Alam Khan, a noble in Aurangzeb’s court, and then further alterations were performed by Asaf Jah I. With the use of a partition wall, Nasir Jang roped off a neighbouring block of buildings. When Nizam Ali Khan was in Aurangabad, he also occupied the Naukhanda Palace.
The palace featured nine rooms, each with a garden and a cistern. The internal buildings included five zananas, a Divan-i-am, a Divan-i-Khas, a masjid, and a Kacheri. The middle section of the Devankhana’s walls, as well as a Hamam or hot bath adjacent to the structure, are in good condition. The woodwork and stucco plaster, on the other hand, are both gone. The Divan-i-am is a massive quadrangular edifice that is in a state of disrepair. A Gadi of the Nizam may be seen nearby in the Kacheri. The original paraphernalia is kept in the throne room.
When the current Medical College of Aurangabad was built, the Diwan e Aam was dismantled. The Aurangabad College for Women presently occupies the palace. Between the Paitan as well as Jafar gates used to be Nawab Salar Jang’s palace as well as Govind Baksh’s mahal.
History
Malik Ambar erected the palace in 1616 on the crest of rising ground in Aurangabad, India. Barkal was the name of the gigantic portal doorway leading to here, over which the Naubatkhana echoed. According to one source, a nobleman from Aurangzeb’s court named Alam Khan constructed modifications to the Palace, while Asaf Jah I added other expansions afterwards. Nasir Jang was separated from an adjacent block of buildings by a partition wall. When Nizam Ali Khan was in Aurangabad, he stayed at the Naukonda palace.
The Architecture of the Palace
This palace is well-known for its magnificent architecture. The internal structures of the palace, which contained nine chambers, featured five zenanas. The walls of the central portion of the Devankhana, as well as a hot-bath or Hamam, linked to the building, are still in fair shape, despite the absence of woodwork and stucco plaster. The ancient armour and equipment may be found in the throne room, while a Gaddi belonging to the Nizam can be found in the adjoining Kacheri. Only remnants remain of the Divan-i-Aam, a massive quadrangular assemblage. A Nizam Gaddi may be seen in the nearby Kacheri.
The Divan-i-Aam, the architectural manifesto, is in ruins. When Nizam Ali Khan was in Aurangabad, it is said that he seized and inhabited Naukhanda Palace, and the Gaddi you will see defines his legacy and heritage. The palace’s core section is in decent condition, albeit the woodwork and decoration paintwork has vanished.
Importance of Naukhanda Palace
The ravages of Naukhanda Palace, which is situated at the summit of Aurangabad, continue to attract millions of tourists, particularly historians from all over the world, because its crumbling walls and ruins provide an opportunity for travellers to trace the significance of the site as well as an opportunity to discover the significance of architectural phenomena. The ruins of the palace may astonish newcomers since the legacy of a bygone age, which characterises the history of great days, thrills the mind.
The rich history and economic position make it significant not only in terms of tourism but also in terms of historical significance, which cannot be measured in time, permitting the surrounding area to extol its glories with pride and vanity.
Travelling Information
The Diwan-e-Aam was completely demolished to make space for the current Aurangabad Medical College. The Aurangabad College for Women currently occupies the palace. Nawab Salar Jang’s palace used to be positioned between the Paithan and Jafar gates.
Prince Mukarram Jah Bahadur currently owns the palace. Barkal was the name of the gigantic portal doorway leading to here, over which the Naubatkhana echoed.
About Aurangabad
The History Museum of Marathwada University has discovered artefacts from the Sathavahana dynasty in sculptures from the Marathwada area, miniature paintings from the Maratha, Rajput, Mughal, and East India Company eras, and company paintings from the East India Company times. Sculptures and shattered panels from Paithan’s archaeological sites are shown at the State Archaeology Museum. The Hiru Bhai Jagtap’s Museum, the Shivaji Museum, and the Purwar Museum are among the other museums in the area.
The Aurangabad caves, located 5 kilometres away and tucked among the hills, are a group of 12 Buddhist caverns that date back to 3 A.D. The Tantric influences visible in the caverns’ iconography and architectural forms are intriguing.
Conclusion
A city recognised for its cultural richness and mediaeval monuments. Once the capital of the Mughal Empire, now it serves as a gateway to UNESCO World Heritage Sites. Surrounded by gorgeous hills, Aurangabad, named after the famous Mughal emperor Aurangzeb, is a place with some beautiful tourist attractions.
